Board of Directors
Rainer J. Hanshe, Executive Director
Hanshe is a writer whose texts include aphorisms, plays, poetry, essays, and novels. His most recent work is his unpublished novel The Acolytes. Now, he is working on his second novel, tentatively titled The Abdication. With Yunus Tuncel, he is developing a screenplay about a fictional encounter between Dostoevsky and Nietzsche in Baden-Baden. With Alan Rosenberg, he is working on an essay that concerns a marginalized aspect of Nietzsche’s thought.
Hanshe is a graduate of the New School and is pursuing his MA/PhD at CUNY Graduate Center. He is interested in philosophy and all forms of aesthetics and how they may intersect, as well as consciousness and the body, space, time, and morality. Of particular concern are notions of the sublime, the ecstatic, and a reconception of the sacred in the aftermath of the death of God. He is a co-founder of the Nietzsche Circle and, along with Mark Daniel Cohen, edits Hyperion: On the Future of Aesthetics.
Yunus Tuncel, Ph.D.
Yunus is a co-founder of the Nietzsche Circle. Doctoral dissertation on Nietzsche’s philosophy, “The Principle of Agon in Nietzsche’s Thought.” (The New School for Social Research, 2000). Dr. Tuncel has been teaching philosophy at the New School; courses taught there include: Introduction to Nietzsche; Notions of Power from Nietzsche to Foucault; Ecstasy, Taboo, and Transgression; The Gay Science: Legacy of the Troubadours; and Wagner and Nietzsche: A Dialogue on Art and Culture.
He has recently finished a book on Nietzsche, A Journey in Nietzsche’s Critique of Morality, for which he is seeking a publisher. His areas of research are art, culture, myth, and spectacle. He is interested in the fusion of art and philosophy in various cultural formations.
David Kilpatrick, Ph.D.
David Kilpatrick is Assistant Professor of Literature, Language and Communication at Mercy College, NY. He earned his Ph.D. in comparative literature and M.A. in philosophy at Binghamton (SUNY). His areas of specialization are violence and representation, modernism, history of drama and the theory of criticism. He has published on Nietzsche, Bataille, Mishima, Nitsch, Barker, and is a theater critic for The Brooklyn Rail.
Jim Crocamo
Jim Crocamo is a Library Specialist and Supervisor at Columbia University Libraries, NY. He received a B.A. in English Literature with a concentration in Film Studies from Temple University in Philadelphia, and has since studied film at Columbia as well. His engagement with Nietzsche stemmed from his readings in philosophy, literature, and political thought wherein he found frequent affinities between the works he was interested in and Nietzsche’s thought. His current interests include film/video as a medium for exploring theories of time and consciousness, post-modern anarchism, and the history of the relationships between art, spirituality and philosophy and the evolution of consciousness.
